![]() ![]() When accessing ME33K directly, the icon is visible. Execute Function module ARCHIV_GET_CONNECTIONS in transaction code SE37. (If a preview is not available then a doctype icon with the document name will be displayed. However, the object services can be reactivated individually by setting user/profile parameter SD_SWU_ACTIVE = X.
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![]() ![]() Rather than being rejected by viewers, the somewhat flimsy workaround for replacing Hartnell ultimately became a core element of the Doctor Who mythology. In reality, actor William Hartnell had been replaced because of his failing health, and the perception that he had become increasingly difficult to work with. In the following storyline, "The Power of the Daleks," the second Doctor describes what just happened as a "renewal," and the show moves out without more explanation. What Happened: The very first regeneration of the Doctor's remains perhaps the most underwhelming, as the Doctor simply keels over from exhaustion and. With only four months to go until we see the Capaldi step into Matt Smith's shoes, it's time to take a look back at the show's earlier regenerations-both of the Doctor, and occasionally, his friends and antagonists-for some clues as to how the theoretically penultimate Doctor will be replaced when the time comes.Ībove: Regeneration One From: William HartnellĮpisode: "The Tenth Planet, Part Four" (1966) In the past, we've seen regenerations take place because of supreme sacrifices to save the world, punishment meted out by the Time Lords themselves, botched surgery and-just once-unfortunate contractual issues. What this means, of course, is that Who gets to have its cake and eat it, too: Viewers get the grand emotional drama of what is, for all intents and purposes, the death scene of their hero (or at least, the departure of each Doctor's actor and personality), while the show itself moves forward without having to deal with the permanent loss of its main character. The Doctor, we've been told, has thirteen lives to live, and what would kill a regular human will just push him from one incarnation into the next. Since then, the Doctor's ability to "regenerate" has been one of the many tricks that Who has up its sleeve in terms of dramatic tension. The idea that the Doctor periodically takes on a new form (and thus, a new actor) originated in the 1966 Doctor Who episode "The Tenth Planet" as a way to explain the replacement of the show's original star William Hartnell. The first episode of season 13 will arrive on Monday, November 1 at 6.20am AEDT on ABC iview. Then continue with Series 8, 9, and 10, remembering to watch the three Christmas specials. The place to watch the new season of Doctor Who will be free-to-air channel ABC. After 'The Name of the Doctor', watch 'The Night of the Doctor' on YouTube, then 'The Day of the Doctor' and 'The Time of the Doctor'. What remains to be seen, however, is exactly how he will arrive. Then watch Series 5-7, including three associated Christmas specials ('The Snowmen' aired in the middle of Series 7). The new Time Lord will take over the Tardis at the end of this year's Doctor Who Christmas Special as the twelfth version of the character, just in time for the 50th anniversary of the fan-favorite British sci-fi show. ![]() Yesterday the BBC announced the name of the man who will step into the shoes of the latest incarnation of the Doctor: Scottish actor Peter Capaldi, known for his role as Malcolm Tucker on the BBC comedy series In the Thick of It, though many American audiences may remember from his recent role as a World Health Organization official in World War Z. ![]() ![]() ![]() It is a simple, clean, and well-organized program.It cooperates with almost all Android devices such as Samsung, LG, HTC, Motorola, Sony, Huawei, and OnePlus.The user can preview the deleted data before recovery without any cost.It scans deleted or missing files faster.It can restore photos, audio, videos, text messages, contacts, call history, documents, and other media files.The user needs to click and wait to get back their data to the Android device.It is one of the best and ideal Android data recovery software that permits users to recover deleted quickly or missing data. ![]() This application has excellent features, and these are the following: It is a reliable and flexible program that restores files quickly. 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![]() reported 10% nasal carriage among 50 tested nurses. Koh et al., according to statistics from Malaysian hospitals, reported that 0.2–2.3% of patients were MRSA carriers. reported patient colonization rates (nares) in the two parts of the study of 35% and 36%. However, these rates corresponded either to different time periods between the studies (e.g., upon admission or for the duration of the study) or to different populations (e.g., residents, nurses, patients). Nine studies reported MRSA colonization rates in the facilities that were included in their studies ( Table 2). ![]() Banning certain types and giving preference to in-house laundering in combination with contact precautions can effectively decrease MRSA contamination and spread. HCW attire, particularly long-sleeved white coats and ties, is frequently contaminated with MRSA. Eight studies reported additional multidrug-resistant bacteria on the sampled attire. HCW attire was frequently colonized with MRSA with the highest rates in long-sleeved white coats (up to 79%) and ties (up to 32%). There was a notable variation in HCWs surveyed, HCW attires, sampling techniques, culture methods and laundering practices. Out of 4425 articles, 23 studies were included: 18 with 1760 HCWs, four with 9755 HCW–patient interactions and one with 512 samples. ![]() The primary study outcome was MRSA isolation rates on HCW clothing in healthcare settings. We performed a systematic review in Pubmed and Scopus for 2000–2020 according to the Preferred Reporting Items for Systematic Reviews and Meta-analyses (PRISMA) guidelines to analyze evidence of MRSA on HCW attire. Contaminated healthcare workers’ (HCW) clothing risk transferring methicillin-resistant Staphylococcus aureus (MRSA) in healthcare facilities. ![]() ![]() ![]() Take, for example, Constance Penley’s book NASA/Trekwhere she writes about people re-working the stories of Star Trek just as they also rework the various stories surrounding NASA.Ī smaller topic, but equally interesting I thought, was that of mess. Fan fiction is the classic case study of the complexity of such remaking culture. ![]() ![]() ![]() One of the striking, not always appreciated, aspects of 21st century making is how much of it is re-making. Moreover, there are ways in which that big smooth professionally oiled machine of big media acts as a material for 21st century craft. Or what about TV shows that draw on crafting cultures? (food TV, especially in the USA is fascinating here). I love the passivity of some TV shows because they free me to knit in front of them (just knitting on its own doesn’t catch my attention enough). Or at least that I we should be careful of putting them up against each other in terms of making. I wondered at times whether this shift is over-stating in the book. People who watched British television at a certain point in the late 20th century may remember a show called Why Don't You Just Switch Off Your Television Set and Go Out and Do Something Less Boring Instead. One of the key frames of the book is a shift from the passivity of the ‘sit back’ model of what might come to be seen as the odd mid to late 20th century era of the television and towards a culture dominated by ideas of making and doing. Because, this process of going off and doing something yourself is a lot of what the book is about. And that’s why Making is Connecting might be ‘slow reading’. Along the way, I also found stuff other people had made to consume and take part in too. Some of this I did myself, some of it collaboratively. I knitted, I cooked, I wrote, I gave lectures and organised events. I stop consuming whatever other people have made – in this case Gauntlett’s book – and go and produce something for myself. Still, in a way, it is a book that inspires slow reading, because one of the many reasons why it took me so long to finish (why it takes me so long to finish most books, unless I make myself sit and read them in a go, or even watch a movie or er… finish this sentence) is that I get distracted. For a piece of social sciences, it’s incredibly well written. This isn’t because it’s a hard read, or boring. It has, however, taken me a while to actually finish reading the book and post this review. As any seasoned media studies scholar will grump at you, all media is social, but with this thing we call web 2.0 the patterns of sociability are changing (Gauntlett has made a lovely vid on this) in ways which are wrapped up in the history of crafting. It's about the social meanings of creativity and 21st century maker cultures, be these makers of blogs, woolly cardigans, cupcakes, podcasts or physics-themed lolcats, and in particular the changing structures of making which surround what is sometimes called ‘social media’. It's an interesting book worth talking about. I've mentioned David Gauntlett's new book, Making is Connecting, a few times recently: on my work blog, my knitting one, and on the Guardian's Notes and Theories. ![]() ![]() ![]()
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